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The Construction of authorship : textual appropriation in law and literature / Martha Woodmansee and Peter Jaszi, editors.

Contributor(s): Woodmansee, Martha | Jaszi, PeterMaterial type: TextTextLanguage: English Series: Post-contemporary interventionsPublication details: Durham ; London : Duke University Press, 1994. Description: 462 p. ; 24 cmISBN: 9780822314127; 0822314126 (acidfree paper : pbk.); 9780822313823Subject(s): Copyright | PlagiarismDDC classification: 342.6482 LOC classification: K1420.6 | .C66 1994Online resources: WorldCat details
Contents:
TOC On the author effect: recovering collectivity / Martha Woodmansee--On the author effect: contemporary copyright and collective creativity--Touhing words: Helen Keller, plagiarism, authorship / Jim Swan--Author/izing the celebrity: publicity rights, postmodern politics, and unauthorized genders / Rosemary J. Coombe--The pragmatics of genre: moral theory and lyric authorship in Hegel and Wordsworth / Thomas Pfau--The interdisciplinary future of copyright theory / Alfred C. Yen--Milton's contract / Peter Lindenbaum--From rights in copies to copyright: the recognition of authors' rights in English law and practice in the sixteenth and seventeenth centuries / John Feather--The author in court: Pope v. Curll (1741) / Mark Rose--Authority and authenticity: scribbling authors and the genius of print in eighteenth-century England / Marlon B. Ross--Charles Dickens, international copyright, and the discretionary silence of Martin Chuzzlewitt. (cont.) International copyright: structuring "the condition of modernity" in British publishing / N.N. Feltes--Sanctioning voice: quotation marks, the abolition of torture, and the fifth amendment / Margreta de Grazia--Broadcast copyright and the bureaucratization of property / Thomas Streeter--Authorship and the concept of national cinema in Spain / Marvin D'Lugo--"Don't have to dj no more":sampling and the "autonomous" creator / David Sanjek--Beaumont and/or Fletcher: collaboration and the interpretation of Renaissance drama / Jeffrey A. Masten--Common properties of pleasure: texts in nineteenth century women's clubs / Anne Ruggles Gere--Reading and writing the Renaissance commonplace book: a question of authorship? / Max W. Thomas--Collaborative authorship and the teaching of writing / Andrea A. Lunsford and Lisa Ede--The author in copyright: notes for the literary critic / Monroe E. Price and Malla Pollack.
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Holdings
Item type Current library Collection Call number Copy number Status Date due Barcode Item holds
Text Text Dr. S. R. Lasker Library, EWU
Reserve Section 		Non-fiction 342.6482 CON 1994 (Browse shelf(Opens below)) C-1 Not For Loan 25973
Text Text Dr. S. R. Lasker Library, EWU
Reserve Section 		Non-fiction 342.6482 CON 1994 (Browse shelf(Opens below)) C-2 Not For Loan 25974
Total holds: 0

"The paperss collected in this volume ... meeting sponsored by the Society for Critical Exchange"--Acknowledgments.

TOC On the author effect: recovering collectivity / Martha Woodmansee--On the author effect: contemporary copyright and collective creativity--Touhing words: Helen Keller, plagiarism, authorship / Jim Swan--Author/izing the celebrity: publicity rights, postmodern politics, and unauthorized genders / Rosemary J. Coombe--The pragmatics of genre: moral theory and lyric authorship in Hegel and Wordsworth / Thomas Pfau--The interdisciplinary future of copyright theory / Alfred C. Yen--Milton's contract / Peter Lindenbaum--From rights in copies to copyright: the recognition of authors' rights in English law and practice in the sixteenth and seventeenth centuries / John Feather--The author in court: Pope v. Curll (1741) / Mark Rose--Authority and authenticity: scribbling authors and the genius of print in eighteenth-century England / Marlon B. Ross--Charles Dickens, international copyright, and the discretionary silence of Martin Chuzzlewitt. (cont.) International copyright: structuring "the condition of modernity" in British publishing / N.N. Feltes--Sanctioning voice: quotation marks, the abolition of torture, and the fifth amendment / Margreta de Grazia--Broadcast copyright and the bureaucratization of property / Thomas Streeter--Authorship and the concept of national cinema in Spain / Marvin D'Lugo--"Don't have to dj no more":sampling and the "autonomous" creator / David Sanjek--Beaumont and/or Fletcher: collaboration and the interpretation of Renaissance drama / Jeffrey A. Masten--Common properties of pleasure: texts in nineteenth century women's clubs / Anne Ruggles Gere--Reading and writing the Renaissance commonplace book: a question of authorship? / Max W. Thomas--Collaborative authorship and the teaching of writing / Andrea A. Lunsford and Lisa Ede--The author in copyright: notes for the literary critic / Monroe E. Price and Malla Pollack.

Sociology

Tahur Ahmed

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